ABOUT

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Artist Statement

          Elisabeth Heidinga’s artistic practice seamlessly merges the traditions of painting and assembly, offering a bold reimagining of abstraction. Her process begins with expansive acrylic paintings on canvas, which are deconstructed into fine strips. These fragments are then meticulously woven or reassembled, transforming discrete elements into cohesive yet dynamic compositions. The interplay of structure and intuition in Heidinga’s work creates a dialogue between abstraction, craft, and conceptual art, challenging viewers to reexamine their perceptions of balance, connection, and dissonance.

Heidinga’s work is deeply symbolic, reflecting the complexities of human experience and the multiplicity of identity. Drawing on her European heritage and her time in multicultural Toronto, her compositions resonate as metaphors for cultural intersections and the weaving together of diverse narratives. Each strip represents a fragment of memory, culture, or identity, and together they form intricate and harmonious works that challenge traditional associations between painting and craft. Her creations reflect a synthesis of opposing forces—presence and absence, connection and tension—offering a fresh perspective on the interplay between fragmentation and unity.

Currently based in the south of France, Heidinga imbues her pieces with a profound sense of interconnectedness. Her practice invites viewers into an exploration of layered realities, transforming deconstruction into a meaningful act of creation. Through her deliberate and evocative methods, she crafts art that resonates with both quiet reflection and dynamic energy.

A graduate of OCAD University in Toronto, where she earned a BFA with honours, Heidinga has been included in the Art Gallery of Ontario's Art Sales & Rental program, providing ongoing visibility within a major Canadian institution. Her work has been showcased at exhibitions and art fairs across North America. Represented by Stephanie Breitbard Fine Arts in San Francisco and Menlo Park, California, J Williams Fine Art in Dallas, Texas, her pieces have captivated collectors and institutions alike, cementing her reputation as a significant and compelling voice in contemporary art.

FR      La pratique artistique d’Elisabeth Heidinga fusionne harmonieusement les traditions de la peinture et de l’assemblage, offrant une réinterprétation audacieuse de l’abstraction. Son processus commence par de vastes peintures acryliques sur toile, qui sont déconstruites en fines bandes. Ces fragments sont ensuite minutieusement tissés ou réassemblés, transformant des éléments discrets en compositions cohérentes mais dynamiques. L’interaction entre structure et intuition dans l’œuvre de Heidinga crée un dialogue entre abstraction, artisanat et art conceptuel, invitant les spectateurs à repenser leurs perceptions de l’équilibre, de la connexion et de la dissonance.

L’œuvre de Heidinga est profondément symbolique, reflétant les complexités de l’expérience humaine et la multiplicité de l’identité. Puisant dans son héritage européen et son passage à Toronto, ville multiculturelle, ses compositions résonnent comme des métaphores des intersections culturelles et du tissage de récits divers. Chaque bande représente un fragment de mémoire, de culture ou d’identité, formant ensemble des œuvres harmonieuses et complexes qui défient les associations traditionnelles entre peinture et artisanat. Ses créations incarnent une synthèse des forces opposées – présence et absence, connexion et tension – offrant une nouvelle perspective sur l’interaction entre fragmentation et unité.

Installée dans le sud de la France, Heidinga insuffle à ses œuvres un profond sentiment d’interconnexion. Sa pratique invite les spectateurs à explorer des réalités superposées, transformant la déconstruction en un acte de création porteur de sens. Par ses méthodes réfléchies et évocatrices, elle crée des œuvres qui résonnent à la fois par leur énergie dynamique et leur invitation à la réflexion.

Diplômée de l’OCAD University à Toronto, où elle a obtenu un BFA avec mention, Heidinga a été intégrée au programme Art Sales & Rental de l’Art Gallery of Ontario, lui offrant une visibilité continue au sein d’une grande institution canadienne. Son travail a été présenté lors d’expositions et de foires d’art à travers l’Amérique du Nord. Représentée par Stephanie Breitbard Fine Arts à San Francisco et Menlo Park en Californie, ainsi que par J Williams Fine Art à Dallas au Texas, ses œuvres ont séduit collectionneurs et institutions, consolidant sa réputation comme une voix à la fois importante et singulière de l’art contemporain.

Selected Publications

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REPRESENTATION

Hi, I'm Elisabeth

Bio

Elisabeth Heidinga is a Toronto based contemporary artist from France, born (1981) in Cologne, Germany. She graduated with honours from OCAD University in 2010. In her practice, she paints large canvas panels (in acrylic) that are then cut into fine strips by laser. Selected strips from different panels are re-assembled and woven together. Each work is made up of strips that are fragments of many different paintings.
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My Process

I am an abstract painter and I paint with acrylic paint on a large canvas roll. I paint with the purpose of cutting my paintings apart. I envision the outcome and how the colour and painted composition will play out during the weaving process to come. I then take my paintings to be laser cut. These machines come with different limitations and challenges in regards to the final size and the material itself. Once a finalized illustrator file is created the laser cuts my pieces into strips which I then bring back to my studio. I cut the ends free but keep each painting bundled together. I select my strips based on these bundles and colours I see. It's hard to predict the outcome in terms of colour and composition but the discovery is very rewarding. To achieve my artistic vision, frames are an important aspect. I order custom-made, museum-quality frames made by Faux Cadres-Canal. These stretchers are painted white and have a plaque of authenticity in the back. Each strip is secured to the back at the top and bottom. I use the loose strips to weave from left to right which allows me to work with a weaving pattern. In my unwoven work, I focus more on how the strips intersect on a more singular basis versus the multiple repetitive intersections you find in weaving. I finish by securing the loose strips in the back and adjusting or straightening each strip in the front. The size of woven work is generally a 44-inch square, with the exceptions of a few being slightly smaller. Non-woven work can be any size in length with the width being 44-inches. All work is signed, dated and named on the back of the stretcher. My work is professionally documented by photographer, Calvin Thomas.

Artist Statement

I paint with the purpose of cutting my abstract paintings apart. Strip by strip, I then assemble and weave fragments of various paintings, into a single piece of work. Living in a multicultural city like Toronto has uniquely influenced my work. As I assemble the strips, the fragments of my paintings begin to represent the different facets (culture, community, life events, education, etc.) that weave us together, in this case literally and conceptually. The colour and composition mirrors a portrait that unfolds before me when encountering a stranger/new environment/culture we have in this city and I get to discover it as I weave. My goal is to create work that will inspire a discourse and continue to push and blur the boundaries of art, design and craft. The process is symbolic and metaphorical on a few levels, with painting being largely male-dominated and craft traditionally identified as a female activity, my paintings bring worlds together. However, this is beyond gender issues, but simply two opposing concepts meeting, challenging and rethinking the mountains that stand in our way – thoughtfully taking apart and reassembling what lies before us to create a new perspective of equality.